What Goes Up Must Be Caught
Starship Flight 15, Mechazilla, and the first attempt to bring both halves of an orbital rocket home.
Stones on design, technology, the future, and science fiction — the four fields that keep colliding in the work. Each piece is a single cut: a way of seeing, a tension that will not resolve itself, a future that has already started arriving. They are not news, and they are not a feed. They are the record of what remains after the screen goes dark.
Starship Flight 15, Mechazilla, and the first attempt to bring both halves of an orbital rocket home.
Inside the cold-gas rocket package that let a Tesla drive on a ceiling, spin in mid-air, and land on its wheels.
The gaze survived the board. That's the whole story.
A joke that stops being a joke around the third piece of evidence.
On the quiet pride of refusing to learn, and the new kind of illiteracy it is producing.
The widening gap between the speed at which we build the future and the speed at which we actually understand it.
How the Cybercab is rewriting the economics of getting from A to B — and what history says about who pays the toll.
Every museum needs an “ancient hardware” wing eventually.
A studio is not a menu of services. It is a decision about where an idea is allowed to become form.